Sahan Arzruni: Spreading the Message About the Importance of Musical Education

Passionate about the next generation of Armenian musicians, Arzruni has dedicated himself to fostering young talent, particularly in Armenia’s rural provinces. “I’ve organized tours to various towns in Armenia, where I meet students, listen to their performances, and offer suggestions. I also perform for the music lovers in the city and make sure that the best two or three get a chance to play with me in concert.”

His most recent trip in May 2024 proved particularly rewarding. “It was not only good for the kids, but also a valuable experience for me to see the various regions of Armenia and learn more about the local culture.”

Over decades of involvement in Armenia’s cultural sphere, Arzruni has witnessed both progress and setbacks. “We are a people with an ancient civilization that has survived for 3,000 years. Our language is unique, and our script is one of a kind. Our music is intrinsically tied to our language. As such, Armenian music is not just a style of composition—it’s an extension of the way we speak, a reflection of our unique culture and identity.”

Referencing the legendary Armenian composer and musicologist Komitas, Arzruni emphasizes the deep connection between Armenian music and language. “Komitas, who collected and notated 2,500 folk songs, once argued that if the melody of a song didn’t match the rhythm of the text, it was inauthentic. He believed that Armenian music should always correspond to the natural rhythms of the Armenian language. This is something I deeply believe in as well.”

Challenges and the Call for Cultural Preservation

Unlike some neighboring countries with natural resources, Arzruni believes Armenia’s greatest asset is its cultural heritage. “Sadly, in today’s world, materialism has taken over, and people are becoming less interested in preserving traditions and customs. I often find that the Armenian genocide is overlooked while other genocides, like the Holocaust, get more attention.”

To counteract this, Arzruni stresses the importance of greater international awareness. “We need to do a better job marketing our history and culture.”

Now 81, Arzruni reflects on the influences that shaped his career. “My aunt, a composer, was the first to notice my musical talent, and she encouraged me to pursue music seriously.” After studying at Getronagan Armenian Lyceum and the Istanbul Municipal Conservatory, he went on to train at Juilliard in New York, where he studied under renowned mentors. “I even performed for 18 years as a sidekick alongside the famous pianist Victor Borge.”

Throughout his career, Arzruni has worked to highlight Armenia’s unique contributions to global music. “The first female composer in the world was Armenian, which is something I’ve highlighted during my tours.”

Beyond his own performances, he remains committed to preserving Armenian music. “As I get older, I want to record more Armenian music. A concert may be fleeting, but a recording allows the music to live on.”

He also remains dedicated to mentoring young musicians. “Although I have not held a position at a university, I feel a deep responsibility to share what I know.”

Arzruni plans to continue his mission, traveling through FAR and engaging with Armenian communities worldwide as long as his health permits. “As long as my health allows me, I will continue this important endeavor.”