Violinist Narine Dellalian with her husband Levon Mouradian, who is the grandson of Hayrik Mouradian. (Karine Armen photo)

Music of Hayrik Mouradian Celebrated at UCLA

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LOS ANGELES — The Armenian Music Program at the University of California, Los Angeles (UCLA) honored Hayrik Mouradian’s 120th anniversary on Friday, October 17, at the Herb Alpert School of Music, with special guests Narine Dellalian and Levon Mouradian.

Melissa Bilal, assistant professor of ethnomusicology and the Promise Chair in Armenian Music, Arts, and Culture, and the director of the Armenian Music Program, introduced Narine Dellalian, who talked about Hayrik Mouradian and his significance in preserving the traditional songs.

The special guests had come from Lisbon, Portugal. Narine Dellalian is married to Levon Mouradian, who is the grandson of Hayrik Mouradian. Dellalian, the president of Hayrik Mouradian NGO, is the daughter of  composer Harutiun Dellalian (1937-1990). In 1986, the elder Dellalian composed a piece called Topophono, commissioned by Aram Gharabegian for Simfonova’s concert at the Los Angeles Music Center. Harutiun Dellalian’s two daughters are accomplished musicians who live in Lisbon, Portugal.

During her presentation, Narine Dellalian talked about Hayrik Mouradian’s legacy and the importance of his contribution to record and save the Armenian folk songs from Western Armenia. Dellalian said, “Hayrik was a bridge between our past and present, guiding us toward a deeper recognition of our roots. Thanks to him, we are connected with the folk songs of the Vaspurakan region.” She added, “Hayrik also elevated the performance of the Armenian folk songs to a scholarly level.”

From left: singers Mary Sekayan, Hasmik Harutyunyan, and Nare Sargsyan. Vahan Avetisyan on blul, Petros Berberyan and Armen Adamian on duduk, Antranig Kzirian on oud, and Albert Ordinyan on dhol. (Karine Armen photo)

Later, Armen Adamian gave an in-depth presentation on the history of the revival movement in Soviet Armenia which brought Western Armenian musical heritage back to public recognition. Adamian is a PhD candidate in ethnomusicology at UCLA. His dissertation research focuses on the political implications of folk music in Soviet and post-Soviet Armenia.

Hayrik Mouradian was born in 1905 near Lake Van, growing up listening to traditional Armenian songs. His family was forced to flee due to the Armenian Genocide, moving to Iraq and later to Armenia in 1922. He was a historian and author who dedicated his life to documenting, preserving, and spreading Armenian folk songs. He founded many Armenian folk ensembles. His students followed his path. One student, Hasmik Harutyunyan, founded the Hayrik Mouradian Traditional Song and Dance Children’s Ensemble to continue Mouradian’s legacy.

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The second part of the program included a performance by Levon Mouradian of a traditional song on cello. In addition, the VEM String Quartet accompanied him for two more Mouradian songs arranged by VEM member Niall Tarō Ferguson. The VEM String Quartet is the UCLA Armenian Music Program’s resident ensemble under the directorship of Prof. Movses Pogossian, a distinguished professor of violin, and the founder/advisor of the UCLA Armenian Music Program.

Levon Mouradian teaches at Portugal’s Escola Superior de Música de Lisboa. He has performed with distinguished orchestras around the world.

Cellist Levon Mouradian with VEM String Quartet, from left: Movses Pogossian and Ally Cho on violin, Niall Tarō Ferguson on cello, and Damon Zavala on viola. (Karine Armen photo)

After the quartet, UCLA Armenian Music Ensemble, under the directorship of Armen Adamian, performed a medley of Hayrik Mouradian songs. The talented musicians were UCLA students who had been the recipients of the Armenian Music Program’s fellowship to study Armenian folk music: Hayk Gargaloyan, duduk; Alisa Gukasian, kamancha; Mickey Hashim, shvi; and Lori Der Sahakian, voice.

Later, Harutyunyan and the ensemble performed a repertoire of folk songs from Van-Shatakh transcribed by Hayrik Mouradian. Harutyunyan is a guest mentor at the UCLA Armenian Music Program’s fellowship program.

This last set featured performers Harutyunyan, Mary Sekayan, and Nare Sargsyan, voice; Armen Adamian and Petros Berberyan, duduk; Vahan Avetisyan, shvi; Antranig Kzirian, oud; and Albert Ordinyan, dhol.

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