Christopher Atamian
Cultural memory as “Resistance to Erasure” has been a recurring topic in the Armenian press lately. The tragedy of Artsakh and the fear of further loss of our ancestral land[...]
In Armenia, a land of breathtaking landscapes, ancient traditions, and a history that stretches back millennia, culture is not just celebrated, it is lived. In “House Culture,” writer and filmmaker[...]
The world of Trashland (Nauset Press, 2023) is a world of doom and gloom. A garbage dump and a cemetery, separated by a narrow dirt road, and a nearby lunatic[...]
NEW YORK — While the Atamian Hovsepian Curatorial Practice (AHCP) is new on the scene, it has been able to carve out an important niche in the city’s art world.[...]
NEW YORK — Atamian Hovsepian Curatorial Practice (AHCP) announces a unique residency program for Armenian artists. For the first iteration of the program, AHCP has chosen the Ashot Johannissyan Research[...]
In a sometimes forgotten corner of Asia Minor, amid the ruins of a former Soviet republic turned capitalist hell hole, in a land where a brutish individualism has taken hold[...]
Nigoghos Sarafian’s The Bois de Vincennes (Wayne State University Press, 2011), hailed as one of the most important texts of twentieth-century Armenian diasporic literature, transports the reader to a land[...]
NEW YORK — To many people, the word curate evokes images of priests in religious garb since curate is also a synonym for a man of the cloth, or else[...]