David Karamian with his book (photo by Karine Armen)

TCA Metro LA Chapter Hosts Program with David Karamian on Khatchkars in Noratus

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ALTADENA, CA — On Sunday, October 4, the Tekeyan Cultural Association (TCA) Metro Los Angeles Chapter organized a book presentation by photographer, author and publisher David Karamian at the Tekeyan Cultural Association Beshgeturian Center.

Aleen Yadegarian, a UCLA student and representative of the TCA Metro LA chapter, served as master of ceremonies.

Karamian’s new book, Eternal Armenia: Khatchkars – The CrossStones of Noratus, is a photographic and cultural study of the ancient cemetery of Noratus, on the western shore of Lake Sevan in Armenia. This is Karamian’s third book on Armenia, independently published through NorArtGallery Publishing. It is the culmination of nearly three years of photography, research, writing and design. The 264-page, large-format bilingual English-Armenian volume features nearly 200 photographs, including expansive panoramic views of the Noratus Cemetery, intimate studies of individual khatchkars, carved monuments on graves, and the landscape where these centuries-old stones have endured.

Each photo in the book has long captions that are not mere descriptions of each khatchkar, but the photographer’s personal interpretation. The descriptions are intended to make the observer slow down and reflect. Karamian said, “The information about each stone is not exactly what an artisan was thinking eight hundred years ago. They are invitations to observe the symbols, composition, craftsmanship, and personality of each stone.”

For Karamian, the book is not simply about photographing beautiful stones. It is about memory, survival, and responsibility. Once a cultural treasure disappears, photographs and memories may be all that remain. The second part of the book includes tombstones and graves, and Karamian clearly explains the difference between a khatchkar and a tombstone.

A San Francisco Bay Area resident, Karamian is an Armenian-American photographer, author, publisher, and contributing writer for Black & White Photography Magazine. After a long career in engineering, design, and corporate leadership, he fully turned his attention to photography, publishing, and projects that document Armenian cultural heritage. Through NorArtGallery Publishing, Karamian has produced three books on Armenia, to date, with his recent work increasingly focused on cultural documentation and preservation.

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Documenting the khatchkars and advocating for their preservation became an important purpose of Karamian’s photography. Over repeated visits to Noratus, he sought to document not only its most beautiful or historically significant khatchkars, but also its weathered stones, graves, inscriptions, details, and the cemetery’s broader landscape. For Karamian, this is where photography moves beyond artistic interpretation and becomes documentation.

From left: Ani Kartalian, Parsegh Kartalian, Aleen Yadegarian, Archpriest Fr. Manoug Markarian, David Karamian, Shahnour Hovsepian, Talene Hachikian, and Mihran Toumajan. (photo by Karine Armen)

“Photography cannot physically protect a stone from erosion, destruction or disappearance,” Karamian said. “It can, however, preserve a record of what existed at a particular moment. A photograph can travel where the monument cannot. It can enter a library, museum, university, classroom, church, archive, or home. It can introduce Noratus to someone who may never have the opportunity to walk among its stones.”

Archbishop Hovnan Derderian, Primate of the Western Diocese of the Armenian Church of North America, praised Karamian’s Eternal Armenia book. “We especially appreciate that the khatchkars of Noratus are presented not only as works of art and historical monuments, but also as living witnesses to Armenian identity and Christian faith,” Archbishop Derderian wrote. “Through your work, the reader is invited to understand more deeply the richness of Armenia’s spiritual heritage and the responsibility we bear to preserve it and pass it on to future generations,” he said.

For Karamian, bringing attention to Noratus and its Armenian Christian heritage means taking the work beyond the book’s pages, before Armenian and non-Armenian audiences, and into libraries, museums, universities, churches, and cultural institutions. Through presentations, publications, and public conversations, he hopes to draw greater attention to Noratus and to the broader importance of Armenian cultural preservation.

“We have already seen the destruction of Armenian khatchkars at Julfa, and most recently the destruction of historic Armenian cemeteries and medieval khatchkars in Shushi,” Karamian said. “Noratus still survives. We have a responsibility to protect it while we still can.”

Aleen Yadegarian and David Karamian (photo by Karine Armen)

After Karamian’s presentation, TCA Metro LA Chapter board member Talene Hachikian and Yadegarian gifted a book to the author, published by the late, eminent historian, Prof. Richard Hovannisian, titled Armenian Communities of Persia/Iran: History, Trade, Culture.

Representing Derderian, Rev. Manoug Markarian complimented the author, his project, and the importance of introducing Noratus to Armenians worldwide. He reminded the audience that “people with faith preserve the cemeteries and the khatchkars.”

The program concluded with a book blessing (kinetson). Markarian and TCA Metro LA Chapter board member Mihran Toumajan sang the hymn (sharagan) Vork Zartaretseen, which is the Hymn for the Holy Translators. Participants in the book blessing included longtime TCA Western USA leaders Parsegh and Ani Kartalian, as well as Aleen Yadegarian, and TCA Metro LA Chapter board members Shahnour Hovsepian and Talene Hachikian.

For more information about David Karamian and his photographic work, visit the following links:

https://www.norartgallery.com/about-avenue

https://www.amazon.com/s?i=stripbooks&rh=p_27%3ADavid%2BKara-Mian&s=relevancerank&text=David+Kara-Mian&ref=dp_byline_sr_book_1

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