Don’t Give Up, Please. Not Yet: Dana Mashoian Walrath’s The Book of Genocides

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While a history lesson long overdue, Dana Mashoian Walrath’s The Book of Genocides (Harvard University Press, 2026), the graphic history in comic book format of 10 genocides spanning the past 500 years, is also very much about our current reality. Walrath’s is a deliberate attempt to expose, in its stark nakedness, the savagery that continues to plague mankind to this day. The ethnic cleansing of Artsakh in 2023 and the ongoing blockade and bombardment of Gaza are only two recent examples. “But our dreams can be different,” asserts the visionary who believes that getting the truth out will bring us a step closer to reclaiming our humanity. Even if it should take the millennia, the attempt to reform the world is worth the try, had declared that other visionary, Virginia Woolf, a century earlier.

Text and graphics intermingle in Walrath’s narrative to depict the full horror inflicted upon indigenous peoples by colonial settlers who forcibly remove local populations from the area they have called “home” for millennia so they can grab the land themselves. “Genocide is always a land grab,” writes Walrath, who minces no words to bring to light Australia’s history of convict settlement — the British government’s policies of forced assimilation and sterilization of the Natives — or the Ottoman government’s carefully planned and systematically executed deportations and the mass killings of the Armenian population living within its boundaries, in 1915, in its attempt to exterminate a whole people.

Also included in the book are the genocides of the First Peoples of the Americas, the Genocide of Black Americans, the Genocide of Jews in the Holocaust, the Palestinian Genocide, the Cambodian Genocide, the Tutsi Genocide in Rwanda, the Bosnian Genocide and the Rohingya Genocide.

Each chapter begins with a “History of the Genocide,” followed by an interactive section where Walrath invites the reader to actually engage in an act of violence herself, by cutting pages across dotted lines, with a pair of scissors, “to create a Turn-The-Flap Book that can generate thousands of ways human beings can dehumanize each other.” “The act of cutting is not one of desecration. Instead, I invite you to consider it a form of Liberation,” writes Walrath.

The Book of Genocides is not an easy book to read. The gut-wrenching facts — the accounts of the slaughters and the mutilations, the tortures, the lynchings, the neck-chaining, the use of fellow human beings as chattel, or the policies promoting the forced removal of children from their families are extremely distressing. Yet, at no point does one get a sense that the content is intended to sensationalize or to thrill. What shocks is witnessing the unimaginable and the unutterable made into historical truth. The challenge for Walrath must have been bringing the fiction, her story, closer to the reality of the cruelties she has made her mission to uncover. The barbarity is real.

“How come we don’t know?” has inevitably been my non-Armenian students’ response when introduced to the realities of the Armenian Genocide. The recognition of evil, any evil, is unsettling, but learning about scientists at leading research universities using Aboriginal children as laboratory rats in their medical experimentation is downright horrifying. If one could classify the cruelties committed by governments into tiers, shaming indigenous children into internalizing their biological and cultural inferiority would probably be in a higher grade than gun violence.

Dana Walrath

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While no genocide is more important than the others, Walrath’s own connection to the Armenian Genocide — she is the granddaughter of survivors of the Genocide — adds the power of personal testimony to her story: “I know the anger, fear, and despair.”

Walrath aligns Polish lawyer Raphael Lemkin, who coined the term “genocide” and was the primary architect behind the United Nations’ 1948 Genocide Convention on the Prevention and Punishment of the Crime of Genocide, with the 1921 trial in Berlin of Soghomon Tehlirian who shot and killed Mehmet Talaat Pasha, the orchestrator of the Genocide, in broad daylight.

“Soghomon testified that his mother’s corpse came to him in a dream demanding that he avenge the slaughter of his entire family,” recounts Walrath. The court set Tehlirian free.

It is the uniqueness of the specifics of each genocide that brings awareness to the universality of the crime. The tiny graves of the Myanmar children slaughtered in The Rohingya Genocide bring into Walrath’s consciousness — who actually visited all ten countries where the genocides took place — the story of her great-grandmother Zartar Troshagirian who, while hiding from the Ottoman soldiers with her four youngest children, stifled her baby’s cries so the rest of her children could survive the genocide. “Every time we connect our own pain to the suffering of others we take one step toward ending, preventing, and healing from genocide,” writes Walrath.

An anthropologist by profession, Walrath is also an award-winning writer and artist. The predominance of the color black in the book conforms to the grim subject matter. The red color of the pages that introduce each of the 10 chapters, with sketches of abstract patterns in black, reinforces its bloodiness. The reader’s engagement with the horrifying details is further heightened by Walrath’s stylized sketches of the maps, the indigenous figures and the animals. “I drew from my heart,” confides the artist.

Two pages from The Book of Genocides

If history is any indication, the darkness may be here to stay. The Convention has proven to be utterly useless in redressing current barbarities. It may in fact be getting harder and harder to reconcile our creativity with the reality of oppressive governments that have the greater power to destroy what has taken millennia to accomplish. Once again, the erasure of the cultural and religious heritage of Artsakh, the traditional Armenian homeland, or the razing of Gaza, the Palestinian homeland, to rubble come to mind. Notwithstanding, ”We can change this. It is not inevitable,” writes Walrath with confidence. If humans created the existing institutions, humans can also change them, she reasons. Indeed, her audacity to indict governments and to condemn the horror while it is ongoing awakens the reader to the urgency of doing something about it.

A human being stripped of her dignity is a cruelty impossible to fathom. One can only hope that laying bare the facts will bring mankind a step closer to making “our dreams” reality.

The book is available nationwide.

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