Şahan Arzruni

Obituary: Pianist and Musicologist Şahan Arzruni (1943 – 2026)

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NEW YORK — World-renowned concert pianist, musician, and musicologist Şahan Arzruni drew his final breath in the early hours of October 21 in America, at his home in New York City. His favorite items, which he enjoyed throughout his life, were raw oysters, bulghur pilaf, tangerine color, and vodka.

Şahan Arzruni

These are the words Şahan himself set down to serve as the coda to his life. Direct, concise, and touched with his characteristic wit, they convey something essential about the man—and his determination to describe himself on his own terms.

Yet they can scarcely encompass the life of a man who devoted his singular, extraordinary gifts to the worldwide Armenian community. Those gifts embraced the whole range of the musical arts: from performance to composition, from rarefied scholarship to the popular promotion of Armenian music around the world.

He was born on June 8, 1943, in Istanbul, to Stepan and Mariam Arzruni. As a very young boy he was recognized as a musical prodigy and came under the tutelage of the most eminent European musical instructors in Istanbul. This was due to the influence of his beloved aunt, Sirvart Karamanuk — herself a composer of profound talent, whose work and memory Şahan would honor throughout his life.

In 1964, Şahan left Istanbul, and a noted career as a young pianist, to attend the Juilliard School in New York. America’s greatest city would become his home for the next six decades, as Şahan Arzruni built an international reputation as a concert pianist, ethnomusicologist, and public figure in the arts.

Şahan’s achievements as an artist were profound, as the formal biographical notes below attest. He was proud to be honored as a Steinway Artist: a title bestowed only on the most distinguished pianists in the world. Indeed, one could only marvel at Şahan’s soulful interpretations of Chopin and the rest of the classical repertoire.

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But he was truly peerless in his championing of the Armenian musical inheritance: both its great figures like Khachaturian, Hovhannes, and the immortal Komitas, as well as lesser known (but hardly less distinguished) names like Mirzoyan, Mansuryan, Babadjanyan, Arutiunyan, Zakaryan and others.

These were the gifts most conspicuous to Şahan’s vast, admiring public audience. But the many people who were blessed to know the man himself will always be aware that their lives were infinitely enriched by his wise counsel, his generous hospitality, and above all, his warm, endearing friendship.

In his last weeks, Şahan reflected on a long and successful professional life, marked by wide-ranging fame, respect of his peers, and personal satisfaction in his work. He was especially grateful to have shared his learning and talent with younger artists, especially those in the Republic of Armenia. As he struggled with failing health, Şahan devoted his energy to a few final tasks: completing a written memoir; populating an extensive online archive of his recordings and works; finding proper homes for his personal papers, artwork, library, and musical instruments—the valuable collections of a remarkable life; and putting his effects in order.

He died peacefully in his home. In accordance with his wishes, his ashes will be interred in the Arzruni family gravesite in Istanbul.

Biographical Notes

In addition to his reputation as a recitalist and chamber music partner, pianist Şahan Arzruni achieved recognition as a composer, ethnomusicologist, teacher, lecturer, writer, recording artist, broadcasting personality, producer, and impresario. He toured in these capacities throughout North and South America, Europe, the Middle East, the Far East, and Australia.

Topics: Music

Arzruni became a familiar figure through many television broadcasts, such as the Johnny Carson and Mike Douglas shows. He was featured in a number of PBS specials — “Around the World in ’82,” “Gala of Stars,” and “A Place of Dreams: Carnegie Hall at 100” — and recorded for international radio networks, including the BBC. Mr. Arzruni performed at the White House and gave command performances in the United Kingdom, Denmark, Sweden, and Iceland.

Şahan Arzruni

Motivated by ethnic awareness in the United States, Arzruni continuously researched the musical roots of his Armenian heritage. He recorded a three-record anthology of Armenian piano music and co-produced an eight-disc set of instrumental and Armenian vocal music. He also delivered papers and organized symposia for such institutions as Harvard University, Columbia University, and the University of Michigan at Ann Arbor.

A recipient of the Renaissance Medal, Şahan Arzruni was the author of scholarly books and a contributor of articles for academic journals; he has also written for various editions of The New Grove Dictionary and the Dictionary of the Middle Ages.

Şahan was an artist of striking versatility. He performed with Victor Borge, playing the role of a straight man in the master’s hilarious musical programs. As a teenage writer, he authored a textbook on music in his native Istanbul. As a performer, he recorded many albums featuring twentieth-century works intended for younger pianists. Arzruni also hosted a radio program on New York’s Municipal Broadcasting System for five years, addressing issues concerned with the didactics of piano playing.

A Steinway Artist, he was invited to perform on an 1869 Steinway piano at the Metropolitan Museum of Art for the inaugural of the centennial celebrations of the Museum’s collection of historic instruments. In 2001, Mr. Arzruni delivered a lecture on Armenian liturgical chants at the invitation of the US Library of Congress, in Washington, D.C.

In 1996, he received from Catholicos of All Armenians Karekin I an encyclical and the Sts. Sahak and Mesrob Medallion. In 2016, the president of the Republic of Armenia awarded him the Movses Khorenatsi Medal for exceptional achievement in cultural development.

On the occasion of Aram Khachaturian’s centennial in 2003, Şahan was appointed the full-fledged representative of Armenia’s Ministry of Culture in the Diaspora. In 2007, to celebrate the 175th anniversary of the Armenian National Hospital of Istanbul, he was asked to produce cultural events to mark the occasion. In 2010, through an arrangement with the Turkish Ministry of Foreign Affairs, he presented a number of concerts, including a program at Van University on the eve of the inaugural Divine Liturgy to take place at the Holy Cross Armenian Church of Aghtamar.

In 2013, Mr. Arzruni’s performance of Khachaturian was selected by the Republic of Armenia’s Ministry of Culture for inclusion in a special set of recordings marking the very best of Armenian musical talent. In 2017 and 2019, Şahan Arzruni became the first artist of the diaspora to travel to Armenia’s provinces and the capital of Nagorno-Karabagh on a teaching and performance tour.

During the COVID pandemic, Mr. Arzruni started an online series “Together with Armenia” featuring various artists from all over the world, joining him on the piano, on occasion, from his New York apartment.
Beginning in 2017, through the arrangement of the Fund for Armenian Relief, Sahan Arzruni traveled to more than 50 locations across Armenia, visiting Music Schools and Art Schools, conducting master classes and performances for the benefit of the public and the students.

Mr. Arzruni was a graduate of the Juilliard School, and pursued doctoral studies at New York University. He recorded for New World Records, Composers Recordings, Inc., Musical Heritage Society, Hearts of Space, Philips, Varèse-Sarabande, Good Music, Positively Armenian, AGBU, and Kalan Music.

An extensive archive of his recordings, writings, and other works can be found on his personal website, www.sahanarzruni.com.

Şahan Arzruni passed away peacefully at the age of 83, after a short period of declining health, in the early hours of October 21.

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