Lizzy Vartanian

Lizzy Vartanian: Embroidery as an Act of Love

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YEREVAN — Embroidery artist, curator and writer Lizzy Vartanian lives between London and Yerevan. She was born in 1993, in London, to an Armenian mother and an English father (Collier). She has a degree in art history and a diploma in law. She has written for the likes of Artsy, Dazed, the Guardian, Harper’s Bazaar Arabia and Vogue Arabia to name a few. Her activity is diverse: from curating shows in the UK, Jordan, Armenia and Yemen, giving talks and writing exhibition texts for galleries. She has given workshops at institutions including Victoria and Albert Museum, Leighton House, the Other Art Fair and Darat Al Funun. Her work has been exhibited at the Royal Academy of Art and featured on Grayson Perry’s Art Club. She has led workshops in Palestinian, Jordanian, Syrian and Armenian embroidery styles. She also established Gallery Girl, a London-based curatorial platform and website dedicated to modern and contemporary art from across the globe.

Lizzy, the stereotype for embroidery artist we imagine a 19th century woman or a traditional grandmother, not a Western young lady like you. In this day and age, how does such a “slow” art form like embroidery survives?

While people think of embroidery as being very old fashioned, it is a staple in high fashion and couture. So, it is actually also very modern. For many people, like me, embroidery is a skill passed down from one generation to another.

Embroidery is an ancient artform, but many young artists are finding ways to make it contemporary. I think that embroidery is extra special right now by the very fact that it is slow. When everything in life is so fast, it allows us to sit down and relax. For me personally, it really helps me to stay calm in difficult of stressful situations.

Some compare embroidery with poetry or music. What do you think?

I never thought of it that way, but I can see why the comparison is made. I think embroidery is an act of love. It is very physical, your hands can get tired, it takes time. There is a lot of effort involved. If you make a mistake, it can take even longer to correct it. When you make something for someone, it is because you care deeply for them. It is because you love them.

A childhood photo…
And its embroidered version…

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Some artists transform medieval miniatures into embroidered works of art. Your unique usage of family photographs in embroidery is new, isn’t it?

I guess it is something new. I’m not sure if other people have done it before. I grew up in London, far away from most of my Armenian family. I’m also half Armenian — my father is English — so my only close family growing up was my mother. The people in the black-and-white photographs were from Lebanon and Syria in the 1950s and 1960s. I didn’t really know them or what their world was like. I kind of stitch a connection between me and them. I imagine what they were like, the colors of their clothes, etc. The photographs are old, and so is the medium of embroidery, but the way I combine the two is modern.

While seeing an embroidery work, I remember Arshile Gorky’s “How My Mother’s Embroidered Apron Unfolds in My Life.”

My great-grandmother was from Aintab and made janyags (needle lace). We still have them, and they are some of the only possessions we have from Aintab. This was not passed down to us, however. My mother does do embroidery, and she is very talented, but she doesn’t do “Armenian” embroidery, although I would argue the fact that she does embroidery and is Armenian makes it Armenian. Each generation of women in my family has done embroidery in their own unique style. Perhaps not the style of embroidery practiced by each generation is the same, but the act of embroidery is.

Armenian embroidery art has various techniques; do you follow a specific one?

No, not really. Most of my work doesn’t use the traditional Armenian techniques but is instead inspired by Armenian culture and history.

It is always interesting to learn what is the life of a young European artist in Yerevan looks like…

Yerevan is still very new to me, and it is hard for me to answer this question as I am still finding my feet. I tell people I’m like a baby learning how to walk. Yerevan is very different to London, but I love it. As an Armenian who has always lived away from their culture it is really exciting to be here and to see how it will impact my work. I am also so grateful to have had the opportunity to have exhibited and worked in Yerevan.

I know some Western Armenian and am now taking Eastern Armenian language lessons with Repat Armenia. I am very interested in learning Armenian dancing. And here I miss my mum’s cooking very much, as she was always making Lebanese and Western Armenian food. It is my favorite food in the world!

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