From Christopher Atamian

Christopher Atamian

Christopher Atamian is a New York-based writer, filmmaker, translator and editor. He has written for leading publications such as The New York Press, The Huffington Post, The New Criterion and The New York Times Book Review and concentrated exclusively on Armenian culture and history in a previous column at www.yevrobatsi.com. His first book of verse, “A Poet in Washington Heights” was nominated for a National Book Award and received the 2017-18 Tololyan Literary Prize. He has translated five books from French and Armenian and most recently co-edited a volume on Bedros Keljik, "Armenian-American Sketches."

In a sometimes forgotten corner of Asia Minor, amid the ruins of a former Soviet republic turned capitalist hell hole, in a land where a brutish individualism has taken hold[...]

Men of war form a commonplace, men of peace a rarity. Hrant Dink fought his entire and all-too-brief life to bring Armenians and Turks together and unite two people who[...]

Imagine Frank Zappa brought back to life, but as a crazed violinist running up and down a stage playing a hundred miles an hour to adoring crowds: sexy, long dark[...]

PARIS — Young Parisian clothing designer Miqayel Simonyan only knows one speed: overdrive. Born in the picturesque town of Ijevan in Tavush Province, Armenia — population 15,000 — Simonyan displays[...]

PARIS — She has designed shoes for Madonna and jewelry for the House of Chanel. Karine Arabian: stylish, architectural, artistically pristine. Modish in the best sense of the word, this[...]

NEW YORK  —  To many people, the word curate evokes images of priests in religious garb since curate is also a synonym for a man of the cloth, or else[...]

NEW YORK — “Dreams on Fire” starts off from a controversial scientific hypothesis that has gained momentum in recent years. According to the emerging field of epigenetics, trauma can not[...]

“The striped letter is not entirely a letter, it is rather something that lies between writing and music.” ― Abdelkebir Khatibi, The Wounded Arabic Name “Calligraphy is a kind of[...]

Anyone interested in the post-Soviet space — whether general reader, sociologist or seasoned economist — will find something of interest in Aleksandr V. Gevorkyan’s Transition Economies. Gevorkyan goes over in[...]

LOS ANGELES — Ara Oshagan was having a busy year and a busy day. It was December 30th, and the year 2022 of our Lord Jesus Christ was just a[...]

Is it a book? A work of art? Book art? Or perhaps an art book? Karén Karslyan’s 2020 tome goes by the name of Aterazma, a clever play on words:[...]