Micheline Aharonian Marcom

The Many Forms of Storytelling

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YEREVAN — It would seem that as time goes by, as many urge Armenians to forget their past, an almost iron-willed determination makes them want to hold on to it ever more dearly and delve into their rich, if sometimes tragic, history. At least such is the case with Armenians born into the far-flung global diaspora.

On June 18, Yerevan communications professional, creative guru and board member of Hakawati NGO Raffi Niziblian — born in Jordan but a resident of Armenia since 2003 — organized an evocative event that centered around the fascinating work of two remarkable women, Riyadh-born writer Micheline Aharonian Marcom and Syrian-Armenian actor/writer, multimedia artist and founder of Hakawati NGO Sona Tatoyan. Titled “The Many Forms of Storytelling,” the event was moderated by another intellectual titan, translator and Armenian University of America (AUA) professor Dr. Shushan Avagyan, the author of the experimental novels Girq-anvernagir [A Book, Untitled, 2006] and Zarubyani kanayq [The Women of Zarubyan Street, 2014]. It was also hard not to notice what a physically striking quartet these four remarkable people made, as they held a packed audience of 40 or so people mesmerized in the AUA student gallery for well over an hour.

Aharonian Marcom, who has authored eight books, read from Three Apples Fell from Heaven, the first in a trilogy of books that she has written about the Armenian Genocide and its aftermath in the 20th century. Marcom — whose partially experimental writing follows in the tradition of greats such as Joyce, Faulkner, and Virginia Woolf — has received fellowships and awards from the Lannan Foundation, the Whiting Foundation, and the U.S. Artists’ Foundation and was a 2022 finalist for the Neustadt International Prize for Literature. Three Apples Fell from Heaven was a New York Times Notable Book and runner-up for the PEN/Hemingway Award for First Fiction, while her second novel, The Daydreaming Boy, won the PEN/USA Award for Fiction.

Aharonian Marcom teared up when talking about the remarkable fact that she was reading with her back to majestic Mount Ararat. She humorously referred to fact that she used a thesaurus while writing Three Apples Fell from Heaven while still in her twenties, but whatever the source of the rich vocabulary employed, its powerful result is evident in sentences and expressions such as “rumor is a mendacious tatterdemalion.”

When discussing Aharonian Marcom’s work, Tatoyan explained: “I discovered Three Apples Fell from Heaven while I was here in Yerevan in 2001. To be sitting at AUA in front of Mt. Ararat with Micheline is a very surreal moment. Finding the right adaptation for that novel has led me on a journey of excavation all over the Middle East— from the killing fields of the Der Zor Desert, to my family’s ancestral villages in modern day Turkey. All of this has inspired my pieces “Azad Storytelling” and the multimedia show “Azad (the rabbit and the wolf)” that is now in development. Both works I refer to as a quantum collaboration with my great-great grandfather, Abkar Knadjian, an intergenerational healing journey across space time. To face the darkness and therefore become azad… free.”

A first-generation American, Tatoyan divides her time between Los Angeles, Aleppo, and Yerevan. An accomplished stage artist, Tatoyan was featured in the world premieres of José Rivera’s “Brainpeople” at the American Conservatory Theater, “Massacre (Sing to your Children)” at the Goodman Theater, and “Boleros for the Disenchanted” at Yale Repertory Theater. She acted in her first feature film, starring in “The Journey” (2002), the first independent American film ever shot in Armenia.  In 2021, alongside Isaac Saboohi, Tatoyan co-created the event 1001 Nights, a celebration of Middle Eastern music, movement, storytelling, and food in LA in 2021. It will be produced by Hakawati NGO later this month in Armenia, for the first time. The mission of this NGO is healing through storytelling. It integrates the work of professional artists, spiritual teachers, innovators, scientists, and therapists with a commitment to transform trauma through authentic storytelling.

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Tatoyan created “Azad Storytelling,” a Middle Eastern hakawati [hakawati simply means storyteller in Arabic] oral storytelling performance about the discovery of her great-great grandfather’s Karagöz puppets in the attic of her family home in Aleppo during the Syrian war. The genesis of the piece was a storytelling talk she delivered at the Hrant Dink lecture at CMES at Harvard University. “Azad Storytelling” gave birth to another iteration and work entitled “Azad (the rabbit and the wolf),” being produced by actor Bill Pullman, aand the recipient of several prestigious residencies/workshops over the last year: the Vineyard Theater in NYC, University of Connecticut Global Affairs Digital Media residency, Harvard artlab and most recently Wake Forest University Character and Leadership Guest Artist Residency.

At AUA, Tatoyan explained the origins of this ancient form of performance and the Karagöz shadow puppetry that precedes cinema. In Karagöz puppeteering, all the roles are performed by one performer who manipulates beautifully painted leather puppets with sticks. Tatoyan relayed her own great-great grandfather’s role as one such hakawati storyteller who performed in Turkish and from the mystical Urfa, the city of Moses and Abraham, where Turks, Armenians, Kurds, and Assyrians all coexisted for centuries.

Raffi Niziblian

Akbar the storyteller, Tatoyan explained, was “an alchemist of the imagination,” in a form of puppetry where the puppets could say many things that Abkar could not openly express in society. During the Armenian Genocide, Tatoyan’s great-great grandfather fled to Aleppo, “a major trading outpost on the Old Silk Road,” where he once again performed his Karagöz shows, to alleviate the suffering of his listeners, many of them fellow genocide survivors. Then one day not long ago while in Aleppo, Tatoyan found a truly wondrous treasure in her grandmother’s house: a trunkful of some 180 Karagöz puppets which had remained unused for 100 years. As Tatoyan skillfully explains, these puppets held within them “four-generations-worth of memories.”

On June 30, Tatoyan presented “Azad Storytelling” as a part of the 1001 Nights Experience in one of Yerevan’s beautiful neighborhoods known as Vahakni, run by New Jersey repats Shant and Nina Hovnanian. Produced by the Armenia branch of Hakawati NGO where Niziblian himself produces the event, Tatoyan and co-creator of 1001 Nights Saboohi have gathered an international group of star performers who include Iranian DJ Seventh Soul and a quintet of Armenians made up of oud player Meri Shushanyan, percussionist Vartan Duvendjian, singer Anna Sara Poghosyan, master duduk player Harutyun Chkolyan and Persian meditation producer Benyamin Amlashi.

In the end, the one hundred and eighty pristine Karagöz shadow puppets that Tatoyan uncovered were just one more example of the Armenian past making its way into the future, activated once again by a new generation of storytellers. How long will they live on? The answer may very well be: for as long as storytellers like Avagyan, Aharonian Marcom and Tatoyan continue to carry on their precious and millennial traditions forward.

Read Aharonian Marcom’s book: www.michelinemarcom.com/three-apples. Learn more about the Hakawati organization: www.hakawati.org.

 

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